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Off With Their Heads

Is it possible to write a review of David Adjmi’s Marie Antoinette, now playing at the Yale Rep in a production directed by Rebecca Taichman, without mentioning the 99% or making some comment situating...

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Poets of the Post

There’s no doubt that Elizabeth Bishop and Robert Lowell were two of the most gifted poets of their generation.  And there’s no doubt that theirs was a long-lived relationship of, to some degree,...

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Taking It to the Streets

The mission: to save New Haven—but how? Gob Squad, a band of four video improvisors, hit the streets of New Haven to find out how, in a show called Super Night Shot.  Brought to New Haven as part of...

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At the Rainbow’s End

With a two-person cast that enacts over a dozen characters, Marie Jones’ Stones in His Pockets, at the Yale Rep, directed by Evan Yionoulis, makes us think about the hierarchy of acting.  Typically, in...

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Indifferent Honest

In the playbill for Hamlet at the Yale Repertory, directed by James Bundy and starring Paul Giamatti, dramaturg Dana Tanner-Kennedy quotes the critic Jan Kott: “we can only appraise any Shakespearean...

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Femme Fatale

Seeing the names Robert Woodruff and Rainer Werner Fassbinder associated with In a Year with 13 Moons, now playing at the Yale Repertory Theatre, the audience can assume one thing at once: the play...

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A Cab of Many Colors

Every year the Yale Cabaret enstates new artistic directors—Yale School of Drama students whose vision of and commitment to theater will guide the choices of shows for the coming season. For Cab 46,...

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The Unforgiveable Thing

Without doubt, Tennessee Williams’ A Streetcar Named Desire is a great play. While some might choose The Glass Menagerie as the quintessential Williams play, I’ve always preferred the goings-on in...

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Owning Up

Caryl Churchill’s Owners, the second show of the Yale Repertory Theatre season, directed by Evan Yionoulis, is an insidious play. It’s so much fun to watch—with the fabulous scenic design by Carmen...

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A Doubter In Spite of Myself

Dario Fo is a Nobel-winning dramatist, famed for skewering the powers that be, catching the absurd contradictions that expose the willful sham of a powerful few operating against the good of the many....

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Theater News

This week the Long Wharf’s world premiere of Heidi Schreck’s The Consultant opens officially on Wednesday, January 15. See our preview here. This week as well the Yale Cabaret resumes its 46th season...

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Just Girls

The new play opening tomorrow night at the Yale Repertory Theatre, The Fairytale Lives of Russian Girls, was written by Meg Miroshnik who graduated from Yale School of Drama in 2011. The production is...

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And One to Grow On

Everyone knows that fairy tales are often cautionary stories, told to amuse children and to warn them, in make-believe fashion, about the pitfalls of life. Granted, it’s life with an uncanny edge to it...

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Herzog Back in New Haven

Tomorrow night at the Long Wharf Theatre, Amy Herzog’s 4000 Miles begins previews, with its official opening next Wednesday, February 26th. Herzog, a graduate of of the Yale School of Drama and Yale...

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Spies in Our Midst

With the ramifications about the NSA commanding commentary in various places, the question of a government spying on the private lives of citizens—through phones and internet—has become a major concern...

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Hey Claude

Much Ado About Nothing, the comedy by Shakespeare that is the source for These! Paper! Bullets!, a new adaptation—or, in its terms, “modish ripoff”—by playwright Rolin Jones and director Jackson Gray,...

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A Change is Gonna Come

Marcus Gardley’s The House That Will Not Stand, now playing at the Yale Rep, directed by Patricia McGregor, runs the audience through a range of emotions as we watch a household divided against itself...

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Lapsed in Proof

Review of Arcadia at Yale Rep Tom Stoppard’s Arcadia, now playing at the Yale Repertory Theatre, is a magnificent play. A comedy of manners set in two very different eras—the early 19th century, aka...

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Guess Who’s Coming to Hospital

Review of War at Yale Repertory Theatre Branden Jacobs-Jenkins’s War, directed by Lileana Blain-Cruz at the Yale Repertory Theatre, is a play more intriguing than satisfying. It sets up a situation...

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Family Ties

Review of Familiar at Yale Repertory Theatre A funny, fun, and intense play about family, Danai Gurira’s Familiar, at the Yale Repertory Theatre, takes place on a lovely set replete with the comforts...

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